Project Verse Contestants,
The only rules in print are the rules you agreed to abide by when you applied to participate in Project Verse.
Is the collective work of each contestant important?
One of the prizes of Project Verse is a chapbook deal with two guaranteed book reviews in two fine publications. The poems from the competition will help create and shape the Project Verse winner's chapbook. YES, the collective work of each poet is extremely important. Just like on Project Runway, especially toward the end of the competition, the body of work throughout the competition becomes more important in determining which of the lowest ranked contestants each week will go home. As we move into the last half of Project Verse, overall performance will play a larger factor in which of two lowest ranked competitors that week goes on permanent caesura. This shouldn't surprise you.
Keep up the good work,
The Weekly Project Verse Judges
Showing posts with label Drama. Show all posts
Showing posts with label Drama. Show all posts
Monday, July 27, 2009
Tuesday, July 14, 2009
Project Verse: Drama Continues
There is much to be discussed with Project Verse. If you didn't think a poetry competition could be filled with sass and drama, well, you were very wrong!
Check out the previous blog post for all the Project Verse drama, or you may simply click here.
As mentioned in the previous post, the drama started when Project Verse contestant Martin Ott left this comment:
Before I get to the "meat and bones," I need to address a couple of items that have ruffled my wondrously gay feathers.
(1)
Weekly Judge Dana Guthrie Martin wrote:
Martin Ott had a problem with this and responded with:
Martin, you are wrong; Dana is correct. You commented that you don't think you would get a fair review after all this drama around your Dolly tribute poem. You are wrong! There are so many reasons why I selected Beth Gylys and Dana Guthrie Martin as weekly guest judges. I enjoy their work and attitudes, and they are gifted poets. I know and believe that NONE of the judges associate attitude (or any issues for that matter) with a poet's work. We share a belief: It is all about the work. We want the work to speak for itself. If we didn't share this belief Emily, who was quite the sassy-pants after she read the judges' comments to her poem from Week 2: Firsts, wouldn't be around. Hell, she even won Week 4: Shore Tags, and she was the first contestant to receive a vote from EVERY judge.
(2)
Martin wrote:
The bottome line
This goes back to Dana being right. Martin, you submitted your poems before the results were announced. You even admitted that in your submission to Two Review that you did not give Project Verse credit. When you applied to Project Verse you agreed to this statement:
Martin, you might remember that Project Verse was down two competitors the first week because they didn't abide by the rules. One of the eliminated competitors didn't submit on time because a close relative was diagnosed with cancer that same week. I hated it for him, but the rules are the rules. Niina Pollari was just eliminated because she didn't submit her poem by deadline.
Are you catching it, Martin?
I take rules seriously. Claiming ignorance of the law doesn't excuse you from breaking it. You can say you didn't realize you had to give Project Verse first credit, but I have the email where you agree to do so, and I have the email where you admit that you failed to do so.
Martin, you are out of the competition for violating one of the rules of Project Verse.
Check out the previous blog post for all the Project Verse drama, or you may simply click here.
As mentioned in the previous post, the drama started when Project Verse contestant Martin Ott left this comment:
My Dolly poem was accepted for the November issue of Two Review the first time I sent it out (and they get 7000 submissions per issue). Kind of takes the sting out of being on the bottom twice last week.To follow up, Martin had this to say:
Sunday night sent out a few poems to a magazine I just heard about and added the Dolly poem as a lark...got the acceptance Monday morning at which point I forwarded the email to Dustin asking him about attribution. He kindly sent me the rules and I immediately shot the editor of Two Review a note about Project verse and the need for attribution.
Before I get to the "meat and bones," I need to address a couple of items that have ruffled my wondrously gay feathers.
(1)
Weekly Judge Dana Guthrie Martin wrote:
Martin's poem had not yet been judged by Project Verse judges when he sent it to Two Review. It was thus still under evaluation for inclusion in Dustin and Emma's collection of 50 poems paying tribute to Dolly Parton.
What if Martin had won the week's challenge? He knew that winning would include publication in the tribute collection. It doesn't seem right to send the piece out for consideration elsewhere under those circumstances.
Martin Ott had a problem with this and responded with:
It's one thing when a contestant calls you a liar which W.F. did; it's another when a judge does.
I don't think I can get a fair review from a judge after she states a falsehood about me on a blog, and highly doubt I'll be submitting my next poem (which I have a draft of) for Dana's consideration.
Martin, you are wrong; Dana is correct. You commented that you don't think you would get a fair review after all this drama around your Dolly tribute poem. You are wrong! There are so many reasons why I selected Beth Gylys and Dana Guthrie Martin as weekly guest judges. I enjoy their work and attitudes, and they are gifted poets. I know and believe that NONE of the judges associate attitude (or any issues for that matter) with a poet's work. We share a belief: It is all about the work. We want the work to speak for itself. If we didn't share this belief Emily, who was quite the sassy-pants after she read the judges' comments to her poem from Week 2: Firsts, wouldn't be around. Hell, she even won Week 4: Shore Tags, and she was the first contestant to receive a vote from EVERY judge.
(2)
Martin wrote:
It is my right to believe the following:Your second statement has been addressed above. As for your first statement, when you applied to Project Verse you were provided with the names of the weekly judges. You had time to research each of us. It is your problem if you failed to do so. You shouldn't have applied if you had any issues with our credentials. Do you realize your comment makes you sound bitter? It is unfortunate that you sound like a kid who wants to stop the game because he is losing. I think you are a better man than that, Martin. The sad part is that you weren't losing.
- poetry judges should have more experience than contestants
- poetry judges should not state flasehoods about contestants as facts
The bottome line
This goes back to Dana being right. Martin, you submitted your poems before the results were announced. You even admitted that in your submission to Two Review that you did not give Project Verse credit. When you applied to Project Verse you agreed to this statement:
By participating in Project Verse, you agree to acknowledge Project Verse as first publisher in future reprints of books, anthologies, website publications, podcasts, radio, etc. Copyright reverts back to authors upon appearance in the Project Verse competition, which takes place on the I Was Born Doing Reference Work in Sin site.
Martin, you might remember that Project Verse was down two competitors the first week because they didn't abide by the rules. One of the eliminated competitors didn't submit on time because a close relative was diagnosed with cancer that same week. I hated it for him, but the rules are the rules. Niina Pollari was just eliminated because she didn't submit her poem by deadline.
Are you catching it, Martin?
I take rules seriously. Claiming ignorance of the law doesn't excuse you from breaking it. You can say you didn't realize you had to give Project Verse first credit, but I have the email where you agree to do so, and I have the email where you admit that you failed to do so.
Martin, you are out of the competition for violating one of the rules of Project Verse.
Monday, July 13, 2009
Project Verse Drama!?!
You are missing out if you're not reading the comments on the Project Verse entries.
Contestant Martin Ott has recently raised questions from his fellow Project Verse contestants when he posted this comment:
Contestants want to know if Martin has violated any rules.
When each contestant applied to Project Verse, he/she agreed to the Rules/Regulations/All That Jazz. Two of those items are:
By participating in Project Verse, you agree to acknowledge Project Verse as first publisher in future reprints of books, anthologies, website publications, podcasts, radio, etc. Copyright reverts back to authors upon appearance in the Project Verse competition, which takes place on the I Was Born Doing Reference Work in Sin site.
While the copyright reverts back to the author upon appearance in the Project Verse competition, Dustin Brookshire in combination with Project Verse and I Was Born Doing Reference Work in Sin, reserve the right to use any poems from the competition to create an anthology in the future.
If Martin acknowledged Project Verse as the first publisher to the Two Review editors, he didn't break any rules.
BUT, did this happen?
Contestant Martin Ott has recently raised questions from his fellow Project Verse contestants when he posted this comment:
My Dolly poem was accepted for the November issue of Two Review the first time I sent it out (and they get 7000 submissions per issue). Kind of takes the sting out of being on the bottom twice last week.
Contestants want to know if Martin has violated any rules.
When each contestant applied to Project Verse, he/she agreed to the Rules/Regulations/All That Jazz. Two of those items are:
By participating in Project Verse, you agree to acknowledge Project Verse as first publisher in future reprints of books, anthologies, website publications, podcasts, radio, etc. Copyright reverts back to authors upon appearance in the Project Verse competition, which takes place on the I Was Born Doing Reference Work in Sin site.
While the copyright reverts back to the author upon appearance in the Project Verse competition, Dustin Brookshire in combination with Project Verse and I Was Born Doing Reference Work in Sin, reserve the right to use any poems from the competition to create an anthology in the future.
If Martin acknowledged Project Verse as the first publisher to the Two Review editors, he didn't break any rules.
BUT, did this happen?
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